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domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /www/htdocs/w00e364a/2022.biennale-tanzausbildung.de/wp-includes/functions.php on line 6114polylang
domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /www/htdocs/w00e364a/2022.biennale-tanzausbildung.de/wp-includes/functions.php on line 6114by Arkadi Zaides<\/p>\n\n\n\n
In his artistic work choreographer Arkadi Zaides investigates the possibilities of choreography to relate to today\u2019s societal urgencies through the use of documentary materials. For about a century, documentary theatre has reconstructed factual information in order to analyze a specific event or phenomenon. Visual art and filmmakers have joined this trend and demonstrated how factual information can be altered and questioned. The field of choreography is driven by critical experimentations but until recently, practitioners seemed less prone to confront topical political issues. Choreography, however, is able to weave together factual information and embodied practices in order to question social and political realities as well as the idea of documentary and authentic self. In this workshop, Zaides will be sharing his artistic work as well as questioning together with the participants the possible modes of engaging with reality through one\u2019s own perspective practice.<\/p>\n","protected":false},"excerpt":{"rendered":"
by Arkadi Zaides In his artistic work choreographer Arkadi Zaides investigates the possibilities of choreography to relate to today\u2019s societal urgencies through the use of documentary materials. For about a century, documentary theatre has reconstructed factual information in order to analyze a specific event or phenomenon. Visual art and filmmakers have joined this trend and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[85],"tags":[],"class_list":["post-930","post","type-post","status-publish","format-standard","hentry","category-workshops-not-visible"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=930"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/930\/revisions"}],"predecessor-version":[{"id":931,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/930\/revisions\/931"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}