simple-lightbox
domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /www/htdocs/w00e364a/2022.biennale-tanzausbildung.de/wp-includes/functions.php on line 6114polylang
domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /www/htdocs/w00e364a/2022.biennale-tanzausbildung.de/wp-includes/functions.php on line 6114The Berlin-based dancer and choreographer Isabelle Schad\u00a0studied classical dance in Stuttgart, and worked with numerous choreographers before beginning to develop her own works in 1999. Her research concentrates on the relationships between bodies, choreography, (re)presentation, form and experience, and sees physical praxis as a place for learning processes, community and political participation. Isabelles work is situated between dance, performance and visual art. Her innovative projects are shown around the world in various contexts at festivals, museums or theatre spaces. She teaches internationally and is co-organiser of the work space Tanzhalle Wiesenburg in Berlin. Isabelle Schad is a daily practitioner of Zen shiatsu and aikido zen. In the frame of Deutscher Tanzpreis 2019, Schad was honored for outstanding artistic developments in contemporary dance.<\/p>\n","protected":false},"excerpt":{"rendered":"
The Berlin-based dancer and choreographer Isabelle Schad\u00a0studied classical dance in Stuttgart, and worked with numerous choreographers before beginning to develop her own works in 1999. Her research concentrates on the relationships between bodies, choreography, (re)presentation, form and experience, and sees physical praxis as a place for learning processes, community and political participation. Isabelles work is […]<\/p>\n","protected":false},"author":2,"featured_media":781,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,67],"tags":[],"class_list":["post-784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-participants","category-people"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=784"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/784\/revisions"}],"predecessor-version":[{"id":785,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/784\/revisions\/785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/781"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}