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Die T\u00e4nzerin \/ Choreografin Isabelle Schad studierte Klassischen Tanz in Stuttgart, arbeitete mit zahlreichen Choreograf*innen, bevor sie 1999 begann, ihre eigenen Arbeiten zu entwickeln. Ihre Recherche konzentriert sich auf die Beziehungen zwischen K\u00f6rper, Choreografie, (Re)Pr\u00e4sentation, Form und Erfahrung und betrachtet k\u00f6rperliche Praxis als Ort f\u00fcr Lernprozesse, Gemeinschaft und politische Teilhabe. Ihre innovativen Projekte werden in unterschiedlichen Kontexten auf Festivals, in Museen oder theatralen R\u00e4umen international gezeigt. Sie unterrichtet weltweit, ist Shiatsu und Aikido Praktizierende und Ko-Organisatorin des Arbeitsortes Tanzhalle Wiesenburg in Berlin. Im Rahmen von Deutscher Tanzpreis 2019 erhielt Schad eine Ehrung f\u00fcr herausragende k\u00fcnstlerische Entwicklungen im zeitgen\u00f6ssischen Tanz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Die T\u00e4nzerin \/ Choreografin Isabelle Schad studierte Klassischen Tanz in Stuttgart, arbeitete mit zahlreichen Choreograf*innen, bevor sie 1999 begann, ihre eigenen Arbeiten zu entwickeln. Ihre Recherche konzentriert sich auf die Beziehungen zwischen K\u00f6rper, Choreografie, (Re)Pr\u00e4sentation, Form und Erfahrung und betrachtet k\u00f6rperliche Praxis als Ort f\u00fcr Lernprozesse, Gemeinschaft und politische Teilhabe. Ihre innovativen Projekte werden in […]<\/p>\n","protected":false},"author":2,"featured_media":780,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[65,8],"tags":[],"class_list":["post-782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-personen","category-teilnehmende"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=782"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/782\/revisions"}],"predecessor-version":[{"id":783,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/782\/revisions\/783"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/780"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}