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ZENTRUM F\u00dcR ZEITGEN\u00d6SSISCHEN TANZ DER HOCHSCHULE F\u00dcR MUSIK UND TANZ K\u00f6ln
HOCHSCHULE F\u00dcR MUSIK UND DARSTELLENDE KUNST Frankfurt am Main<\/p>\n\n\n\n\n\n\n\n

ZENTRUM F\u00dcR ZEITGEN\u00d6SSISCHEN TANZ DER HOCHSCHULE F\u00dcR MUSIK UND TANZ K\u00f6ln
Bodies of Mountain<\/strong>
Choreography: Amanda Pi\u00f1a<\/a>
Dance: Tamora Rafaelle Dinklage, Anne Heydecke, Kilian Thomas Liutger L\u00f6derbusch, Darya Myasinkova, Almuth Isa Maria Schmidbauer, Lars Christian Schmidt, Josefine Luka Simonsen, Sebastian Varra, Dimitrios Vasilakis, Amalia Zafeiri
Assistance\/ transmission:
Lina Venegas<\/a><\/p>\n\n\n\n

HOCHSCHULE F\u00dcR MUSIK UND DARSTELLENDE KUNST Frankfurt am Main
Infinite Movements – Sculpture#1<\/strong>
Choreography:
Isabelle Schad<\/a>
Co-Choreography und Performance: Tadas Almantas, Vega Diesveld, Yeji Lim, Xavier Lott, David McMillan Mikkelsen, Andrii Punko, Emma Rasmussen, Ilgim Uz, Emanuela Vurro
Sound\/Music: Damit Simunovic
Assistance:
Katelyn Skelley<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

ZENTRUM F\u00dcR ZEITGEN\u00d6SSISCHEN TANZ DER HOCHSCHULE F\u00dcR MUSIK UND TANZ K\u00f6lnHOCHSCHULE F\u00dcR MUSIK UND DARSTELLENDE KUNST Frankfurt am Main<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[55,41],"tags":[],"class_list":["post-558","post","type-post","status-publish","format-standard","hentry","category-auffuehrung","category-veranstaltung"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=558"}],"version-history":[{"count":10,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/558\/revisions"}],"predecessor-version":[{"id":1181,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/558\/revisions\/1181"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}