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{"id":548,"date":"2021-12-27T11:38:00","date_gmt":"2021-12-27T10:38:00","guid":{"rendered":"https:\/\/2022.biennale-tanzausbildung.de\/?p=548"},"modified":"2021-12-27T11:38:01","modified_gmt":"2021-12-27T10:38:01","slug":"agnes-noltenius-2","status":"publish","type":"post","link":"https:\/\/2022.biennale-tanzausbildung.de\/en\/agnes-noltenius-2\/","title":{"rendered":"Agn\u00e8s Noltenius"},"content":{"rendered":"\n

Prof. Agn\u00e8s Noltenius is the Director of the AdT
Choreographic Assistant at Forsythe Productions
Certified Pilates Trainer<\/p>\n\n\n\n

In 1989, after meeting William Forsythe, she joined Ballett Frankfurt to which she remained loyal for over 13 years. As holder of pedagogic dance diploma, she is a regular guest teacher for ballet classical, repertory and „Improvisation Technolgies“ of William Forsythe, in universities and ballet companies in Germany, France, Italy, Japan, she is the choreographic assistant of William Forsythe and she was given the responsibility for the realization of some of his pieces. She has worked in the most important dance companies of the world. She is the author of the book of photographs „DETAIL-FORSYTHE“ (\u00c9ditions Complexe, co-edited by Arte Editions).<\/p>\n","protected":false},"excerpt":{"rendered":"

Prof. Agn\u00e8s Noltenius is the Director of the AdTChoreographic Assistant at Forsythe ProductionsCertified Pilates Trainer In 1989, after meeting William Forsythe, she joined Ballett Frankfurt to which she remained loyal for over 13 years. As holder of pedagogic dance diploma, she is a regular guest teacher for ballet classical, repertory and „Improvisation Technolgies“ of William […]<\/p>\n","protected":false},"author":2,"featured_media":419,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,67],"tags":[],"class_list":["post-548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-participants","category-people"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=548"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/548\/revisions"}],"predecessor-version":[{"id":549,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/548\/revisions\/549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/419"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}