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{"id":504,"date":"2021-12-27T11:12:05","date_gmt":"2021-12-27T10:12:05","guid":{"rendered":"https:\/\/2022.biennale-tanzausbildung.de\/?p=504"},"modified":"2021-12-27T11:12:06","modified_gmt":"2021-12-27T10:12:06","slug":"diana-thielen-2","status":"publish","type":"post","link":"https:\/\/2022.biennale-tanzausbildung.de\/en\/diana-thielen-2\/","title":{"rendered":"Diana Thielen"},"content":{"rendered":"\n

Diana Thielen is a dancer, performer and blogger, and teaches the methodologies of dance, performance, body politics and yoga. Diana completed her degree at the Salzburg Experimental Academy of Dance (SEAD) and studies Gender Studies and Educational Science in Berlin. Her work encompasses interdisciplinary perspectives related to her interest in queer theory, intersectional feminism and postcolonial studies, as well as her lived experience as a queer woman*. Diana co-authored the book \u201cNicht nur M\u00fctter waren schwanger- unerh\u00f6rte Perspektiven auf die vermeintlich nat\u00fcrlichste Sache der Welt\u201d (\u201cMother\u2019s weren’t the only ones who were pregnant \u2013 unheard perspectives on the supposedly most natural thing in the world\u201d, edited by Alisa Tretau) and, along with Florence Freitag, curates the DIY performance series \u201cThe Urge to…\u201d in Berlin.<\/p>\n","protected":false},"excerpt":{"rendered":"

Diana Thielen is a dancer, performer and blogger, and teaches the methodologies of dance, performance, body politics and yoga. Diana completed her degree at the Salzburg Experimental Academy of Dance (SEAD) and studies Gender Studies and Educational Science in Berlin. Her work encompasses interdisciplinary perspectives related to her interest in queer theory, intersectional feminism and […]<\/p>\n","protected":false},"author":2,"featured_media":345,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,67],"tags":[],"class_list":["post-504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-participants","category-people"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=504"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/504\/revisions"}],"predecessor-version":[{"id":505,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/504\/revisions\/505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/345"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}