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Nik Haffner ist seit 2012 k\u00fcnstlerischer Direktor des Hochschul\u00fcbergreifenden Zentrums Tanz (HZT) Berlin. Als T\u00e4nzer und Choreograph realisiert er Projekte zusammen mit u.a. Christina Ciupke und Mart Kangro. Nik Haffner war 1994 -2000 T\u00e4nzer bei William Forsythe im Ballett Frankfurt, arbeitete 2012-13 mit Jonathan Burrows und Matteo Fargion an deren Online Score \u201aSeven Duets\u2019 als Teil von MotionBank.org. Er ist Mitglied des Beirats f\u00fcr den Tanzkongress Deutschland\u00a0 und der Jury f\u00fcr den Deutschen Tanzpreis.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nik Haffner ist seit 2012 k\u00fcnstlerischer Direktor des Hochschul\u00fcbergreifenden Zentrums Tanz (HZT) Berlin. Als T\u00e4nzer und Choreograph realisiert er Projekte zusammen mit u.a. Christina Ciupke und Mart Kangro. Nik Haffner war 1994 -2000 T\u00e4nzer bei William Forsythe im Ballett Frankfurt, arbeitete 2012-13 mit Jonathan Burrows und Matteo Fargion an deren Online Score \u201aSeven Duets\u2019 als […]<\/p>\n","protected":false},"author":2,"featured_media":403,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[65,8],"tags":[],"class_list":["post-405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-personen","category-teilnehmende"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=405"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/405\/revisions"}],"predecessor-version":[{"id":406,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/405\/revisions\/406"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/403"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}