R\u00e9my H\u00e9ritier was born in France in 1977. He lives in Paris. Since 2005 he has created successively\u00a0Arnold versus Pablo\u00a0(duet),\u00a0Archives\u00a0(sextet)\u00a0domestiqu\u00e9 coyote\u00a0(solo),\u00a0Atteindre la fin du western\u00a0(quintet),\u00a0Dispositions\u00a0(solo),\u00a0Chevreuil\u00a0(quintet),\u00a0Facing the sculpture\u00a0(quartet),\u00a0une \u00e9tendue\u00a0(quartet),\u00a0Perc\u00e9e Pers\u00e9e\u00a0(duo),\u00a0Another version\u00a0and\u00a0Here, then\u00a0(with Marcelline Delbecq).In these different pieces, R\u00e9my H\u00e9ritier involves in his choreographic writing the reoccurrence of temporal, spatial strata in places, developing the depth of the past to reach the present. This archaeological excavation in a given context, his personal history of dance as well as that of his collaborators, enables him to shift towards notions linked to other disciplines such as intertextuality, re-enactment or the Third landscape, and thereby to convoke a new poetics of gesture.<\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00e9my H\u00e9ritier was born in France in 1977. He lives in Paris. Since 2005 he has created successively\u00a0Arnold versus Pablo\u00a0(duet),\u00a0Archives\u00a0(sextet)\u00a0domestiqu\u00e9 coyote\u00a0(solo),\u00a0Atteindre la fin du western\u00a0(quintet),\u00a0Dispositions\u00a0(solo),\u00a0Chevreuil\u00a0(quintet),\u00a0Facing the sculpture\u00a0(quartet),\u00a0une \u00e9tendue\u00a0(quartet),\u00a0Perc\u00e9e Pers\u00e9e\u00a0(duo),\u00a0Another version\u00a0and\u00a0Here, then\u00a0(with Marcelline Delbecq).In these different pieces, R\u00e9my H\u00e9ritier involves in his choreographic writing the reoccurrence of temporal, spatial strata in places, developing the depth of […]<\/p>\n","protected":false},"author":2,"featured_media":1146,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,67],"tags":[],"class_list":["post-1152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-participants","category-people"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=1152"}],"version-history":[{"count":3,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1152\/revisions"}],"predecessor-version":[{"id":1157,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1152\/revisions\/1157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/1146"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=1152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=1152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=1152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}