simple-lightbox
domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /www/htdocs/w00e364a/2022.biennale-tanzausbildung.de/wp-includes/functions.php on line 6114polylang
domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /www/htdocs/w00e364a/2022.biennale-tanzausbildung.de/wp-includes/functions.php on line 6114Laurent Pichaud\u00a0is a choreographer and dance performer, artistic director of x-sud \u00a0art\/site\u00a0(www.x-sud.info), and guest artist-researcher in the Dance department of Paris 8 University. Laurent\u2019s process, both as a creator and researcher, centers around the use of\u00a0choreographic gesture\u00a0outside of traditional artistic or stage-oriented contexts. His work has two premier focal points. The first largely comprises site-specific practices and community projects created with non-dancer inhabitants. The second is his multifaceted collaboration with Deborah Hay, and by extension his interest in Dance history as a material and tool to study how composition functions for both documentation and transmission in the choreographic process. He has created the Choreographic Games with R\u00e9my H\u00e9ritier in 2013 as a platform to extend this two focal points.<\/p>\n","protected":false},"excerpt":{"rendered":"
Laurent Pichaud\u00a0is a choreographer and dance performer, artistic director of x-sud \u00a0art\/site\u00a0(www.x-sud.info), and guest artist-researcher in the Dance department of Paris 8 University. Laurent\u2019s process, both as a creator and researcher, centers around the use of\u00a0choreographic gesture\u00a0outside of traditional artistic or stage-oriented contexts. His work has two premier focal points. The first largely comprises site-specific […]<\/p>\n","protected":false},"author":2,"featured_media":1141,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,67],"tags":[],"class_list":["post-1148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-participants","category-people"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"predecessor-version":[{"id":1149,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1148\/revisions\/1149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/1141"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}