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{"id":1148,"date":"2022-01-29T12:19:34","date_gmt":"2022-01-29T11:19:34","guid":{"rendered":"https:\/\/2022.biennale-tanzausbildung.de\/?p=1148"},"modified":"2022-01-29T12:19:34","modified_gmt":"2022-01-29T11:19:34","slug":"laurent-pichaud-2","status":"publish","type":"post","link":"https:\/\/2022.biennale-tanzausbildung.de\/en\/laurent-pichaud-2\/","title":{"rendered":"Laurent Pichaud"},"content":{"rendered":"\n

Laurent Pichaud\u00a0is a choreographer and dance performer, artistic director of x-sud \u00a0art\/site\u00a0(www.x-sud.info), and guest artist-researcher in the Dance department of Paris 8 University. Laurent\u2019s process, both as a creator and researcher, centers around the use of\u00a0choreographic gesture\u00a0outside of traditional artistic or stage-oriented contexts. His work has two premier focal points. The first largely comprises site-specific practices and community projects created with non-dancer inhabitants. The second is his multifaceted collaboration with Deborah Hay, and by extension his interest in Dance history as a material and tool to study how composition functions for both documentation and transmission in the choreographic process. He has created the Choreographic Games with R\u00e9my H\u00e9ritier in 2013 as a platform to extend this two focal points.<\/p>\n","protected":false},"excerpt":{"rendered":"

Laurent Pichaud\u00a0is a choreographer and dance performer, artistic director of x-sud \u00a0art\/site\u00a0(www.x-sud.info), and guest artist-researcher in the Dance department of Paris 8 University. Laurent\u2019s process, both as a creator and researcher, centers around the use of\u00a0choreographic gesture\u00a0outside of traditional artistic or stage-oriented contexts. His work has two premier focal points. The first largely comprises site-specific […]<\/p>\n","protected":false},"author":2,"featured_media":1141,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,67],"tags":[],"class_list":["post-1148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-participants","category-people"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":1,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"predecessor-version":[{"id":1149,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/posts\/1148\/revisions\/1149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media\/1141"}],"wp:attachment":[{"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2022.biennale-tanzausbildung.de\/wp-json\/wp\/v2\/tags?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}